Don't be fooled by the title, this isn't about the entire corpus of fantasy literature, which goes back as long as people have been making stories about the magical and supernatural. This is about the body types of fantasy. As in those slender elves, those perfectly proportioned humans, those stocky dwarfs, those skeletal wraiths, those bulky orcs, those snake-shaped lizard things... All those hokey physical stereotypes that are the real thing holding modern fantasy back in the visual medium.
It hit me while I was playing a session of Dragon Age: Inquisition. It's one of the most traditional fantasy universes out there in terms of the physical builds of its peoples. I've always had an uncomfortable relationship with the game. I loved my playthrough as a British-accented Qunari Rogue who freed the mages, brought peace to an empire, had all companions friends and surviving by the end, and romanced the character Cassandra, but there was always an underlying discomfort that had nothing to do with its perversely addictive nature or criminal loading times. It was only when I was playing as a human mage that it hit me. Everyone looks the same!
In this universe, humans are a particular type of well-muscled but not bulky type with mostly rounded faces, Qunari are walking tanks that look like bodybuilders with angular faces, dwarfs are stocky with square faces, and elves are slender-framed with vaguely oriental teardrop faces. Females are all slenderer and often shorter variations on these themes. There's no fatties, no emaciated figures, no odd facial shapes with a few exceptions within the main cast. There's plenty of ethnic and sexual diversity, and more gender equality than you find in most sci-fi, but the world looks like they share the same pair of parents across an entire nation. Or five.
While this works in some instances in visual fiction, it only really works for me when coupled with a stylised fantastical art style. Dragon's Crown uses physical fantasy tropes a lot, but its exaggerated and fantastical art gives it a unique excuse. Dragon Age doesn't have that excuse, as it seems to aim for a realistic style. That visual clash in my mind makes me unwilling to invest in this world, as in other respects they seem to be aiming for a realistic depiction of the great tapestry that is "people".
This is a problem that besets much mainstream traditional fantasy. Orcs have the same problem as Qunari of all being large hulking whatsits, and when they're smaller they tend to be shunted into being goblins or similar. I know for a fact that those idealised figures aren't healthy, as their fat distribution is completely skewed and they have an unhealthy lack of the stuff. But I know for a fact that someone wielding a large weapon, whether they be and elf or a human or whatever, can't be a slender little thing. The weight proportion would be completely off. Call me picky, but I'd prefer some physical realism even in deep stylization, or magic allowing the blade to hover without needing to be held at all.
This whole thing is similar to the old argument of women in realistic armour, or just armour in general in fantasy, but physical stereotyping of peoples is more perverse as it reinforces several ethnic stereotypes. During a test piece I did that may yet create something, I deliberately broke away from these physical stereotypes. One of the main characters was an orc, a bookish type who doesn't fight and thus has a very different physique to the stereotype.
I know there are plenty of examples floating about that counter this stereotyping, but it's still common and pervasive enough that the issue should be raised. This most influential of fantasy visual codes needs to bend to modern life and allow something more into its standard, rather than confine this variation to special exceptions. Which would you rather see in your apparently grim and realistic fantasy universe? An elf greatsword wielder who was a slim little thing, or an elf greatsword wielder who could actually use the thing without shredding their muscles?
Please, please point me to any examples you know that defy this physical stereotyping in an appealing, original way. If you can find them...
My blog on many subjects, principally my writing and thoughts. My current project is The Cluster Cycle, published by Roan & Weatherford. Its first two entries are Starborn Vendetta (2023) and Lost Station Circé (2024).
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Sunday, 19 July 2020
Short story; A Job for Gaols
‘Good
morning, Sir. You have new messages.’
‘Yeah
yeah, PAL. Play them.’
“Now
is your chance to win C400,000 in the Drake Sector lottery draw.
Enter now for just one credit, and you could become the richest
person out there. Don’t dawdle! – Dear Mr Goals, your
subscription renewal request to Hot Action VR has been received and
approved. We hope you continue your patronage. – Mr Gaols, our
mutual client will be calling on you in one hour to retrieve the
information we hired you to recover, and transfer your fee. Be
ready.”
Gaols
sighed and stretched his arms and legs. ‘That’s fine. PAL, set up
my VR set. I’ve got time for a quickie before they get here. Use
Hot Action VR – Male 33.’
‘Understood,
Sir.’
Gaols got
out of bed and walked naked to the VR chair set up in one corner.
Lying back on its soft leather contours, he let the VR visor slide
across his eyes, and felt the connectors attach to the near-invisible
sockets in the small of his back. The video slowly appeared, as if he were opening his eyes, and the virtual rapture began. The stimulation was palpable. He was lying in that chair, being slowly and amorously devoured. He briefly marvelled at how people had ever done this on their own or with 2D videos.
The
discharge was sudden and powerful, causing Gaols’ whole body to
tense and relax. The VR device slid away and the connectors withdrew. He cleaned up the worst of the mess, then dove into the shower cubicle and let the steaming jets do the rest. Forty-five minutes later, when his client arrived, he was spotless. The exchange was made. Data from a local triad organisation for C40,000. Enough to keep Gaols’ business afloat for another two months.
He was
expecting the wile away the rest of the day in solitude. But then
someone else came to the door. A woman with the tight outfit and
vividly dyed hair of the privilege few who lipped on the uppermost
levels of the Terrace. She sat abruptly, then fidgeted in the chair
for some moments. Gaols decided to initiate the conversation.
‘If you
want serving, I’ll need to know how.’
‘Hmm? Oh
yes. Sorry. I... Well.... It’s somewhat delicate.’
‘Hey,
didn’t you read the ad? “Delicate situations a speciality.
Discretion assured”. I don’t say what I don’t mean.’
‘I’m
glad about that. You see, I want you to find my brother.’
‘Find
your brother? As in find long-lost brother, or find mission brother?’
‘Isn’t
it the same thing?’
‘Not at
all. They’re totally different. So what’s yours?’
‘He’s...
Missing. Since last week. I think he may be in the lower Terrace
strata. He doesn’t know how to survive down there.’
‘I see.
So you want me to find him. I’ll need details.’
Gaols got
my details, then mentioned his fee. ‘It’s C40,000 for one job
like this.’
‘Would
you accept more?’
‘Who
wouldn’t accept more for a job like this.’
‘I can
pay you C500,000. Is that acceptable?’
Gaols
almost went slack-jawed. C500,000. The same kind of sum he heard
touted on the regional lottery commercials all day long. Twenty times
the standard amount earned by lower strata citizens. More money than
he had earned in his entire life. Enough to set him up for
retirement, early or otherwise.
‘Sure.
I’m willing to accept that. I’ll find your brother. Call round in
a week. I’ll have something for you then, guaranteed.’
‘Thank
you.’
The woman
got up and left abruptly. Gaols made a note in his small book; “Dyed
woman, missing brother, C500,000.” He closed the book and smiled.
This would be a synch. He cut his teeth on finding people in the
lower strata, whether they wanted to be found or not. Even during his
enforcer days, when he worked for the local Triads shaking down
people who were late with payments.
‘PAL,
I’m gonna be out for a while. If I get any calls, say I’m out on
a case.’
‘Understood,
Sir.’
Pulling on
his jacket, Gaols left his apartment building and mounted the
vertical Metro which would take him to the lower strata. He got some
brief looks at the sun between the Terrace’s gleaming towers, then
everything was plunged into industrial shadow. The smells changed
from the tang of street purifiers to the industrial smog he knew so
well. The Metro reached its destination and he stepped out onto a
dilapidated platform, stepping round a homeless man who had clearly
died during the recent cold snap. The station staff would notice once
he started to smell.
A two
street walk took him to Tseng’s Place, a small den he had
frequented during his triad days. He walked in, strode through the
shop and past its empty counter, into and beyond the hidden parlour
with its intoxicating scents rising from discarded pipes, and into a
sealed room deep within the building. He rapped on the door, and a
voice sounded from within.
‘Who is
it?’
‘Pizza
guy. You ordered extra sleezy.’
The door
opened with a sigh and Gaols passed inside. Tseng was lying on a
large divan on the opposite side of the sumptuous room. He stared at
Gaols as the door closed behind him.
‘I never
imagined you would come back here, Gaols-san. You told my boys that
you were now a respectable private detective. To what do I own the
pleasure?’
Gaols
struggled not to scowl at the false Asian accent Tseng insisted on
using. ‘I’m looking for someone. I thought you could help me.
Someone from the Terrace’s gone missing.’ Gaols gave a brief and
informative description. ‘I’ve been hired to find him.’
Tseng
gently chewed the stem of his hooka. ‘No-one has been here from the
Terrace for over a month. We’re out of fashion at the moment.’
‘They
don’t need to come here for you to know. You keep your eye on
everything in the lower strata. It’s your business to know.’
‘True.
That’s why you made such a good enforcer. My brain and your muscles
made the perfect combination. I’m surprised you left for the higher
strata.’
‘I
wanted to be my own man. Surely you can understand.’
‘Yes.
But I miss your little quirks. You’re the only enforcer I’ve ever
known who got paid bonuses in virtual sex. Is it still twice a day?’
Gaols’
eyes narrowed. ‘Just once these days. I haven’t got free time for
any more. A self-run business isn’t an easy task master.’
‘True.
And it must be hell keeping your chair in good order. I remember the
bills we got after that night following the Terrace Anniversary job.
You spent over two hours in the thing. Practically melted its
motherboard.’
‘It was
a rough mission. I needed to blow off steam.’
‘Most of
my men do that with drink, drugs or real sex. Not a chair-mounted VR
system and a subscription to Hot Action VR.’
‘I don’t
like drink. I hate drugs. And real sex makes me squirm.’
‘Not a
good advertisement for your kind, don’t you think?’
‘You
gonna help me or not?’
Tseng
smiled. ‘As this is the first time you’ve asked, and I owe you a
favour or two, I’ll do this for free. But if you keep on coming
back, I’ll expect payment.’
‘Understood.
Phone me when you hear anything.’
Gaols left
without another word. Returning to his office, he rang another of his
lower strata contacts. He knew her under the name “Sally Surge”,
the name she had taken when she entered one of Tseng’s businesses.
Everything that Tseng didn’t know, Sally would. It took half an
hour to get through to her, and even then the results were fruitless.
‘Sorry,
Honey.’ Gaols grew red at Sally’s use of his given name. ‘Haven’t
heard a thing about any Terrace tots down here. It’d cause a real
stir.’
So he
moved on to his own research methods. He slowly trawled through the
Dark Net, looking at any sign of a Terrace resident getting lost in
the lower strata. The whole thing looked like a big mess, and even
his experience net surfing skills turned up nothing. It was almost as
if this man didn’t want to be found.
The
revelation was immediate and complete. He didn’t want to be found.
And if someone didn’t want to be found, the lower strata were full
of alternate worlds where someone would exist beyond society’s
eyes. In fact, one location leapt immediately to mind. The Dregs.
Once part of the early city’s advanced sewer system, left behind as
the city climbed like the Tower of Babel towards the heavens, now it
served as the home for everyone who fell or threw themselves off the
grid. Once there, a person was effectively dead.
Near the
end of the day, he got his news. Both Sally and Tseng reported back,
and both confirmed that the only signs they could find pointed to the
Dregs holding his quarry. Changing into something suitable for that
quarter – slacks and waterproofs that looked the worse for wear –
Gaols walked to the one major elevator which went down to the very
deepest strata. Even then, he had to find one of the ancient sewer
covers and make his way down a network of ladders and ramps to reach
the Dregs proper. No-one wanted an easy way down there.
Gaols
navigated a long line of ancient sewers, filled with the detritus of
its ancient past, and the human remnants that drifted down from
above. He even fancied he saw the remains of some in the large water
channels which ran beneath him. He walked for some distance, then
stopped at a vast chamber. One of the old sewer system’s recycling
and pumping hubs, it now stood empty like an artificial sinkhole. A
shanty town stood at the base of a power relay pillar which extended
from the floor to ceiling. Tails of smoke rose to the ceiling and its
vents, which in turn led into the city’s lowest strata and its
eternal layer of smog.
Gaols had
no choice but to use the stairs, inuring himself to the mounting
stench rising from the town and every vent he passed. There weren’t
enough outlets for the general miasma produced by a few thousand
people, and he shuddered to think what the facilities were like. If
they even had facilities. When he reached the main “street”, he
found himself walking through puddles of sludge he tried not to think
about. When this was done, these clothes were getting incinerated. As
he pushed into another part of the town, something caught his eye. A
figure who vainly struggled to avoid the puddles of filth, and who
walked with a strange upright stance he remembered from earlier that
day. A stance only those in the Terrace would hold.
Gaols came
up to the man and tapped him gently on the shoulder. ‘Your sister’s
worried. She asked me to find you.’
The
reaction was not what Gaols expected. The man turned, punched him
hard in the stomach, then began running. Gaols recovered quickly and
ran after his quarry. The pursuit took the two through the other side
of the shanty town. up another flight of stairs, and down a large
waste pipe converted by the locals into a walkway. Gaols rounded a
corner, almost slipping and falling off the walkway into the
festering mire beneath. His quarry was frantically climbing a ladder,
heading for the bottom strata. As he continued his pursuit, Gaols
wondered why this man was so terrified. Had he wanted to get lost in
the Dregs?
Gaols
emerged in the middle of a large square, and saw his quarry
struggling to free himself from two Servitor drones who were
demanding he “cease his erratic and disturbing behaviour before
further measures were taken”. Gaols quickly ran over and spoke with
the drones.
‘Sorry
about him. He’s...under treatment. PTSD. I’m his minder, but he
managed to slip away. Crows upset him so. Sometimes he just doesn’t
know what’s happening. Come on now, let’s go.’
Gaols took
the man’s arm, and he suddenly seemed docile. The drones let them
go, and the two walked to the elevator which would take them to the
upper levels. Before leaving, they had to go through decontamination
to get rid of the worst of the mud and stink. They were still the
only ones on the lift, as everyone else hung back. The lift took
fifteen minutes to reach the upper strata, so Gaols had time to talk
with his companion.
‘Why’d you run?’
‘I don’t
want my sister running my life any more.’
‘That’s
what she does?’
‘Simon,
do this. Simon, do that. It never stops.’
‘You
know she’s worried.’
‘Yeah.
Worried about her position. If I’m not around, whose gonna make the
money to look after our senile parents, keep our Terrace apartment,
pay for all her fancy clothes. She’s a parasite, and I can’t
shake her off. Why couldn’t you just leave me there?’
‘It’s
not my business to help you. I got paid to find you.’
The man
looked at Gaols, and for a second their eyes locked. In that glance,
Gaols saw a man driven into nothingness, someone whose own will had
never been exerted, who had only ever lived for others. It had broken
him.
‘Yeah,
sure.’ the man smiled. ‘Guess you’ll have to disappoint her.’
The lift,
a simple platform surrounded by a scaffolding structure, was passing
through a large open area where an old strata had been evacuated due
to contamination. Before Gaols could stop him, the man dived to one
side, leaping through a gap in the scaffolding into thin air. Gaols
rushed to the edge of the platform, but knew there was nothing he
could do. It was a 100-foot drop. No-one would survive that.
The
following day, the woman called round again. Gaols received her with
professional impassivity, and she was equally impassive when he told
her of her brother’s death. She slowly nodded.
‘I know
you did all you could. Perhaps, given the circumstances, you might
accept a reduction of your fee.’
‘Yeah,
that’s what I’d expect too.’
‘Shall
we say...C50,000.’
‘Sure.
Why not? Transfer now?’
The
transfer was done. The woman left without another word.
Gaols
found himself wondering how much of the original money would now be
put aside to save herself and her social position. With her brother
dead, she was on her own. He leaned back in his chair, smiling and
looking back on what he had seen. A sister distraught at the wrong
thing. A brother so afraid of his life that he saw no other way out
but death – whether social or actual. And himself, the private eye
who got involved. Was he responsible for that man’s death? He shook
his head. If he started thinking like that, he would be back on two
sessions a day in the VR chair. With the rest of the day clear, he
decided to read one of his books, then go out and get some fresh
waterproof gear to replace the ones ruined in the Dregs.
‘Yep.’
he said with a rueful grin. ‘Just another day in paradise.’
Sunday, 5 July 2020
The Derivative Outlet
Dragon Age? Dragon Quest? Drag-on-Dragoon? Dragon on forever? Difficult to tell the difference sometimes. (Image credit; BioWare) |
I took fall to that temptation. Derivative works require less thought than anything else I might work on. I don't say any author's work today can't trace back to something written or conceived years or centuries earlier, but being wholly derivative of some tropes is something I want to avoid except when they serve the characters and narrative. But sometimes writing things like that as an exercise. And sometimes the things that emerged from that become more original ideas.
Take The Leviathan Chronicle. That emerged from me having a deep liking for the Drakengard series, which dealt openly with taboo character traits and religious themes in a way few stories are willing to do. It's the purest form of genre deconstruction, taking a dark fantasy world to its logical end when characters and events are presented in such a distorted way. After all, wouldn't someone who slaughters thousands on a battlefield be called mad today? The Leviathan Chronicle's first chapter emerged from me beginning something in the vein of Drakengard's opening, and then it shifted and changed into something more.
Recently I wrote something that I consider highly derivative. Tentatively titled "Warped City", it emerged in my head for a screwy combination of a certain physical stereotype, Devil Survivor, and Mozart's famous aria "Der Hölle Rache kocht in meinem Herzen". A modern metropolis where a group of close friends are meeting up in a new metropolis. The goal of the narrative was to have them becoming chosen people who would be pitted against divine fragments emerging in the city in the form of people, altering the city physically or culturally around their twisted worldviews. It's slightly embarrassing putting this down, but it shows how I can have very derivative flights of fancy. But now that it's out of my head, it's not getting in the way.
Whether it's annoying derivative ideas, fan fiction your brain is boiling up out of frustration at another piece of media, or just a standalone scene that doesn't seem to fit in, don't let it fester. Put it down somewhere. It if becomes something interesting, remember it. If not, leave and forget it. It's amazing how many ideas and proposals I've put down over the years have either led to new concepts for current work, or just been a good outlet to stop those terrible ideas cluttering up my work life.
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