Today's the start of a new article series: me, an anime lover, talking about anime I've watched and my opinions. Today, one of those that will doubtless become a modern classic. The Apothecary Diaries, produced by Toho and OLM and based on a novel series by Natsu Hyuga, is set in an alternate world based on Tang Dynasty China and follows Maomao, a woman trained in apothecary and medicine, who ends up working in the Imperial Palace and collaborates with the mysterious official Jinshi on a number of cases.
The premise of The Apothecary Diaries seems...mundane? Almost rote. But the way the setting has been constructed is incredible. There are so many complex relationships within this series that it can make your head spin. But if you know even a little about how complex and fraught Imperial Chinese clan and dynastic politics were, you will soon realise this is a surprisingly faithful interpretation. Schemes within schemes, long games, subtle one-upmanship, and the dynamite of not having a designated successor. It also doesn't shy away from the brutality of Imperial law and how the dynasties stayed in power: it doesn't show overt violence very often, but it makes clear the penalties of that era which have been carried over into this fictionalised version.
But it's the writing and characters that truly make this world so engaging. Maomao is one of the most engaging and down-to-earth protagonists I've met in a long time, regardless of gender. She's also one of the best-written female characters I've seen not just in Japanese media, but in general media. She doesn't feel like the shrinking flower many other non-warrior Asian women are in media. Indeed, most of the women in this series are a joy to watch, either for their personality and interactions up front, or their growth. Yes, some fall back on stereotypes, but they are the minority rather than the majority. Across the two seasons it's figures like Consort Gyokuyou and her attendants, the other consorts and concubines, the many maid servants, the bouncy and enigmatic Shisui, the aloof and tragic Suirei, the women of the Verdigris House, and the greater majority of the antagonists that really hold your attention. Despite being set in a patriarchal society, or perhaps because of it, it's refreshingly focused on the roles and limitations of women.
Of course I can't not talk about Jinshi, Maomao's superior and would-be love interest. I love how he is initially portrayed as frivolous and infuriatingly serene, but the more we learn about him and his role within the Imperial Court, the more his mask of the beautiful youth slips away. There is the big red flag of the fact Jinshi outranks Maomao in social status many times over, and there were a few times he edged towards overstepping a line with Maomao before fate or someone else intervened and made him look and feel foolish. I don't know how this relationship will go before it starts becoming properly toxic, but I can only hope that there is a way it can be resolved. There are a few other male characters like the attendant Gaoshun and the dog-like Lihaku, but it's telling and charming that their primary purpose in many sequences is comedic relief or as an extra official arm for Maomao.
I've recently finished watching the first two seasons of its anime adaptation, which cover the first four volumes of the light novel series. I'd seen clips of it through Crunchyrole's YouTube channel, and been intrigued. I have a soft spot for very well written court intrigue. Not your standard fluffy fare, but one where it really feels like there are stakes. And if you like political drama with real heart, and without gratuitous violence, then this is absolutely a must-watch. It's one of the few series set in this culture that doesn't focus on a hyper-masculine wuxia overtone, instead staying grounded in the actions of one woman whose low status means her life is worth less than nothing to almost everyone in the court. And it's also a refreshing fictional world that creates an alternate Imperial China without falling back on magic, instead creating an original grounded story inspired by true history.
No comments:
Post a Comment